10,835 Royalty-Free Audio Tracks for "Of Music"

On March 11, 2018, the Marine Band presented a Living History program titled Marine Corps Women’s Reserve Band Tribute. The program told the story of the talented and adventurous women who served our country in a most unique and unprecedented manner. Author of the book Bands of Sisters: U.S. Women’s Military Bands During World War II, Dr. Jill Sullivan served as a guide through the personal accounts of those very women who blazed a trail for many to follow. The Marine Corps Women’s Reserve Band of Camp Lejeune was established under the watch of 'The President’s Own' to support bond drives and was active during World War II from 1943–45. In 1944, the ensemble even sat in for one of the Marine Band’s popular 'Dream Hour' broadcasts, a program that will be reenacted in its entirety as part of this concert. The performance took place in Schlesinger Concert Hall at Northern Virginia Community College in Alexandria, Va. Conducted by Capt. Michelle A. Rakers.

Mashing up two sounds that i found on free sound. Com. They are sounds of two different type of music instruments. Here are the original pieces:. 1. Erhu at luxun park in shanghai by taurin barreraa recording from luxun park in shanghai, china. An old man is playing an erhu by the edge of a pond. You can hear the amplified erhu as well as some of the park. Recorded with an edirol r-09 hr in shanghai, china, spring 2011. Http://www. Freesound. Org/people/taurindb/sounds/136051/. 2. Africa pavilion drum jam by rtb45recording of a rather hot impromptu african drum jam made at the africa pavillion, world expo, shanghai china. Recording with sony pcm-d50http://www. Freesound. Org/people/rtb45/sounds/160489/.

Remix of wierd chimes. Wavhttp://freesound. Org/people/kwahmah_02/sounds/250253/which was a recording of a shortwave broadcast in am mode received in usb mode 1khz off frequency. I used goldwave's mechanize feature at 10000khz, then applied low pass filter at 10000 khz to filter out the newly created upper sideband, then i used mechanize again at 9000 khz, which tuned in the recording just like if i had a tuneable receiver.

All this time i´ve been doing a ton of drum samples from almost every edm subgenre, so, i took a transient from a house club kick and a sub bass i made by miself, compressed the hell out of them, distorted the sub bass and added the special sauce, the izotope ozone 8 to make a cool jungle terror kick. Note: you can expect from now seeing drum sampples in this page!!!.

A bunch of weird and hopefully interesting noises. Created using the korg electribe 2 synthesis engine with alot of modulations and asynchron patterns. Post-processing in cubase. It's always nice to hear what projects you use these sounds for. Let me know. ;-). One more thing. Maybe check out my links, perhaps you'll find something you like. :o).

Українська: Й.С. Бах. Фуга dis-moll з І тому ДТК. Виконує Андрій Бондаренко. Запис здійснено апаратурою ВМУА на кабінетному роялі з хоровим строєм. Johann Sebastian Bach: Fugue in D-sharp minor, BWV 853, from Well-Tempered Clavier, vol. I. Performed by Andriy Bondarenko. The piano has a choir-like tuning, sorry :)

This was all recorded in enumclaw, wa on july 4th, 2013. I used a yamaha pocketrak recorder throughout the day and into evening when the fireworks started. There's an old piano outside the music store and i just caught the end of a young guy playing some nice music. I then just walked down the street recording the sounds. You can hear me talking to a guy who's working for a local politician. The b-25 mitchell bomber flyover was totally unexpected and i was lucky to have had the recorder going. It made two passes right over me and i love the sounds of those engines. It was a great day. Please comment on what you will use it for. Thanks. :^).

A short bit of music i made in garageband for a thing called victors crypt. It's some chords on a heavy organ doubled with bass-guitar. Strings are added and there's a cleaner organ playing in between. A lot of spookiness going on. I think it would work fine as an intro or something to a creepy pod or spooky youtube-channel for instance. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to and watch victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

A devilicious bit of music i made in garageband for something called victors crypt!. Got a massive bass to match that drumbeat going on. Added some clavs to make it more "funky" in a dark freaky way. Hope you'll like it!. Could be useful in anything cool, intro, outro, game, dark, eerie, spooky, creepy, scary, horrific,mysterious, crime-ish, thrilling or whatever comes to mind. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Listed by the w:United States Air Force Band at The Air Force Strings Music page as "Air", which might be confused with Air", but actually Air on the G String. From the 2000 album Collage, recorded at The United States Air Force Band Recording Facility, Bolling Air Force Base, Washington, D.C. 18-26 May, 2000. Catalogue Number BOL-0006, First Lieutenant Keith H. Bland, Conductor. Performed with 7 first violins, 5 second violins, 4 violas, 3 cellos, 1 bass and 1 accordion, according to the liner notes

Tournament Galop performed by the Rampart Winds of the United States Air Force Academy Band. Track 1 from Golden Door (2003). Recorded November 5-8, 2001 at Sunrise United Methodist Church, Colorado Springs.[1] Credits: Administrator [Rampart Winds NCOIC], Clarinet [Rampart Winds] – Scott Richardson (9) Bassoon [Rampart Winds] – Alex Vieira (3) Coordinator [Production Assistant] – Sandra Tiemens Design Concept – Chris Hureau Engineer [Assistant], Coordinator [Production] – Douglas M. Huggins* Engineer, Mixed By, Edited By – Bruce Leek Executive-Producer, Administrator [Commander] – Philip C. Chevallard Flute [Rampart Winds] – Cheryl White (2) Horn [Rampart Winds] – Mark Firks Liner Notes – Scott Richardson (9) Oboe [Rampart Winds] – Sarah Balian Producer, Administrator [Deputy Commander] – Matthew S. Henry

Recorded in a schoolyard in yelahanka, banaglore, india. The children are practicing for the graduationday. Lots of flutes, trumpets, some drums and svreams. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

As i walk around the streets of gwangju, i pass by a small house. Inside there are some women singing and hitting the drum. Some ancient song. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

A punchy snare hit made in ableton live. Created with 4 different snare samples. One synthesized in native instrument's massive and the other 3 from a free snare sample pack made by my stoner mind. Https://www. Youtube. Com/channel/uc7ymncoh-iqfzj6l0pincuq. Can be used in many different kinds of electronic music. Enjoy!.

A recording of several single notes on the ukelele. Noisy, not a totally clean recording either (some bleed from a c string that i didn't intend to touch). This sound was originally created for the coursera course "audio signal processing for music applications. " i recorded this sound myself with a zoom h2 microphone and a kala classical ukelele.

This one is a little extract from one of my experimental tracks. It was done on a cubase5 for pc, using vst instruments. No samples, genuine soundwork. It may be used for movie, documentary, radio, podcast, educational as well asfor your own inspiration to sample and remix it. Enjoy!.

Sounds from various cafes around wellington new zealand. Recorded on an ipod touch, so quality is not great and mono. Mostly the sounds are the general ambience of the cafe, people talking, music playing and coffee being made, a few are outside so there are the sounds from the street and traffic.

The window in my studio has an exceptionally long tail of the spring vibrating. I could see this with some effect thrown on being very useful in music or fx situations. Recorded with a zoom h6, stereo xy attachment with internal compression.

Took a sample from a video of a friend saying "this is the pwngene's house" (pwngene/eugene/ug was his online moniker and the video was him showing his apartment) and edited it to say "this is house". But i never did anything with it. Mostly cause my own stuff isn't true house music.

An mp3 recording of a large crowd talking and chatting while instruments are warming up - the overall effect is a rather dissonant cacophony. This recording was taken during a performance at the colorado symphony on january 28th (2017). Recorded with a black sony ic voice recorder.

An mp3 recording of a large crowd talking and chatting while instruments are warming up - the overall effect is a rather dissonant cacophony. This recording was taken during a performance at the colorado symphony on january 28th (2017). Recorded with a black sony ic voice recorder.

This is the first sound in a new pack called "in reality". This new pack was made to showcase the sounds made for stuff like music loops before they are distorted. This one is the original recording (with most static removed) of ceramic_crash. I simply hit a small ceramic bowl with a teaspoon 2 times.

File used in the coursera 'audio signal processing for music applications a7 test. The sound are the first three notes of 'mercy mercy mercy' on bass guitar (bb2-d3-eb3). The song was written by joe zawinul. Guitar: sandberg california vm4 (model 1)recording gear: steinberg ur44pedal board: tech21 bassamp deluxe.

A recording from the interior of a bus. You will hear traffic, some phones going off, and the doors. I am trying to upload as many sounds as possible that are free to use by anyone. If you want, you can always buy me a coffee. Thanks!. Https://www. Buymeacoffee. Com/chrd.

An mp3 recording of several musicians testing their instruments and playing musical passages, while the audience chats and converses. Results in quite a discordant/tumultuous sound. Taken with a black sony ic voice recorder, at the boettcher concert hall with the denver young artists orchestra. Use however you'd like. God bless!.

Soundsnippets for a sound performance for 100 people with bicycles in hammerbrook. We're doing a public performance of music for 1000 bicycles at bullerdeich 7 on 18 june 2022. We will perform an 40 minutes choreography composed by padyak hamburg (nils knott, cooperfrau melissengeist, tintin patrone, dayang yraola) by attaching speakers on our bikes. We'll be like a marching band on bikes.

I recorded myself singing in the tunnel that connects the buildings on the minnesota state capitol complex. This is the first measure of music in the kyrie mass in g minor, which is usually sang by a chorus in a cathedral environment. The tunnel makes it sound exactly like i'm singing in a church.

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:16:13 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 53

John Philip Sousa's "The Gallant Seventh", composed 1922. Recording date not clear according to CD booklet, metadata suggests 1989 Українська: «The Gallant Seventh» Джона Філіпа Соузи, створена 1922 року. Дата запису не відома, згідно з буклетом компакт-диска, припускається 1989 рік.

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:15:6 Hänvisning till tryckt/skriftlig källa: Johan Nordlander: Svenska barnvisor och barnrim, nr. 143

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:16:12 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 51

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:18:6 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 113

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:14:9 Hänvisning till tryckt/skriftlig källa: Johan Nordlander: Svenska barnvisor och barnrim, nr. 71

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:13:8 Hänvisning till tryckt/skriftlig källa: Johan Nordlander: Svenska barnvisor och barnrim, nr. 7

The opening theme to Rimsky-Korsakov's Scheherazade is, "simply a descending whole-tone scale with diatonic trimmings." See Abraham, Gerald. "The Whole-Tone Scale in Russian Music", p.602, The Musical Times, Vol. 74, No. 1085. (Jul., 1933), pp. 602-604.[non-whole-tone scale notes in red].

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:13:4 Hänvisning till tryckt/skriftlig källa: Johan Nordlander: Svenska barnvisor och barnrim, nr. 2

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:20:5 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 230

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:22:4 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 284

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:19:9 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 199

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:15:8 Hänvisning till tryckt/skriftlig källa: Johan Nordlander: Svenska barnvisor och barnrim, nr. 161

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg, Märta Ramsten SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6207:15:1

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:17:4 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 57

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:14:5 Hänvisning till tryckt/skriftlig källa: Johan Nordlander: Svenska barnvisor och barnrim, nr. 62

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:13:5 Hänvisning till tryckt/skriftlig källa: Johan Nordlander: Svenska barnvisor och barnrim, nr. 3

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:16:10 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 33

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:19:1 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 136

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:13:3 Hänvisning till tryckt/skriftlig källa: Johan Nordlander: Svenska barnvisor och barnrim, nr. 1

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:18:8 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 123

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:13:10 Hänvisning till tryckt/skriftlig källa: Johan Nordlander: Svenska barnvisor och barnrim, nr. 37

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:22:6 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 311